Music Reviews
OBLIVIATE – Gas Station Gambler Review
Fourteen minutes of riffs, chaos, and getting your ass kicked. OBLIVIATE captures the kind of live energy that makes standing still feel like a terrible fucking idea. It’s aggressive without becoming a muddy mess, and every song brings something different to the fight. This isn’t background music. This is a warning.
Darryl Jenifer – The Weather Channel Review
Darryl Jenifer’s album, “The Weather Channel”, offers an experimental blend of jazz and ambient music. Released sixteen years after his 2010 debut “In Search of Black Judas”, it features nine original tracks and two reworked Bad Brains songs. The album invites listeners on a meditative journey, defying traditional structure and expectation.
Burned Up Bled Dry – Next Stop… Dead stop…
What makes Next Stop… Dead Stop… resonate isn’t its heaviness, plenty of records have that for its own sake, but the sense of urgency that drives it forward.
Packing 26 tracks into 25 minutes never felt repetitive. Every song introduces just enough variation in riffing, tempo, or atmosphere to keep it from collapsing into repetition.
Shakey Graves – Fondness, etc review
Rather than chasing innovation for innovation’s sake, Graves focuses on emotional honesty and atmosphere. The result is one of the most intimate records of his career. An album that doesn’t demand your attention so much as invite you into its world. And once you’re there, it finds its way into both your heart and your…
The Heeters Debut Time and Again
The Heeters release their debut album Time and Again, featuring a bounty of interchanging parts and friends that built this modern day soul rooted record. Article features an interview with lead vocal, Tom Quell.
Charley Crockett Clovis Review
Charley Crockett surprises fans with a second album, ‘Clovis’, released independently after ‘Age of the Ram’. Produced with Shooter Jennings in Clovis, New Mexico. The album showcases Crockett’s storytelling and musical evolution, blending blues and classic country. Featuring a mix of instrumentation and heartfelt lyrics, it reflects his artistic freedom and perseverance.
Tea Man (Woodwinds) : A Fresh Spin from Jonny Fritz
“Tea Man (Woodwinds)” proves that Jonny Fritz isn’t just revisiting old material—he’s reinventing it, reminding listeners that his creativity thrives where expectation ends.
Abbey Pierce’s Debut: Don’t Call Me Darlin’ Album Review
“Don’t Call Me Darlin’” doesn’t ask for attention, it commands it; and confirms Abbey Pierce’s readiness for a larger stage. Presenting her as a confident new voice who respects country’s storytelling traditions while keeping a clear eye on the genre’s current heartbeat.
